Vandercooked Poetry Nights featuring Jericho Brown

Jericho Brown Asheville BookWorks, a community resource for print and book arts, continues Vandercooked Poetry Nights, its reading series that offers the public the opportunity to print a letterpress broadside at the series events. The upcoming Vandercooked Poetry Nights reading features award-winning poet Jericho Brown on Saturday, October 14, 2017. Printing begins at 7:00 p.m. The reading begins at 7:30 p.m. Hosted by BookWorks founder and director Laurie Corral, and poet Landon Godfrey, the event is free and open to the public.

Asheville BookWorks hosts several Vandercooked Poetry Nights per year and presents prominent poets and letterpress artists. At Vandercooked events, everyone is invited to print a broadside of one of the featured poet’s poems on a rare Vandercook printing press. Master printers introduce the printing presses and organize the printing.

Jericho Brown is the recipient of a Whiting Writers Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. His poems have appeared in The New Republic, The New Yorker, and The Best American Poetry. His first book, Please (New Issues 2008), won the American Book Award, and his second book, The New Testament (Copper Canon 2014), won the Anisfield-Wolf Book Award and was named one of the best books of the year by Library Journal, Coldfront, and Academy of American Poets. He is an associate professor in English and creative writing at Emory University in Atlanta.

Broadside artist Landon Godfrey said, “Jericho Brown is an incredible poet and a marvelous reader. To design and print a broadside of a poem of his is an artistic honor.”

PICTURING THIS: Prints and books by Karen Kunc

Infrastructure by Karen Kunc
LandEscape by Karen Kunc
Garden of Disaster by Karen Kunc
Essence of Abydos by Karen Kunc
Aqua Alta by Karen Kunc
Incessant White Noise by Karen Kunc
Infrastructure by Karen Kunc
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LandEscape by Karen Kunc
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Picturing This: Prints and Books by Karen Kunc opens on November 4

opening reception: November 4, 2017 from 5:30 – 7:30pm

Prints and artist books by Karen Kunc, will be on view in the gallery. There will be a talk/presentation by the artist. BookWorks Gallery exhibitions are free and open to the public.
exhibition dates: November 4, 2017 through January 20, 2018
Artist Karen Kunc explores inventive color abstractions of the natural and human-fashioned world in her prints and artist books, creating ideas of ‘strange beauty’. She is an advocate for the “experiential nature” of artist’s books – that one experiences the work on many sensual and spatial levels.

Ms Kunc finds artist books to be a “fertile format”. Among the many reasons Ms Kunc makes books is to recognize the tactile qualities of work made for the hand, the control of pacing and the “reading/viewing” as an experience, an interest in story-telling, and strong, important historical and cultural associations.
In making “book objects” she engages her love of materials – an awareness of paper, ink, proportion, color, relationships, finish, detail, all parts to the whole, with evidence of craftsmanship. Her books become an aesthetic object, even a beautiful one, as a carrier of important ideas.
Her prints and books often deal with her own “print” issues – reading and perception questions – how one is aware of subtle printed elements, how one reads on multiple dimensional printed levels, how the eye moves through the works into designed entrances and exits, where one gets entwined and held, and where a simple ending forms. The experience of making and thinking is what influences her visual instinct and interconnections, which results in the works themselves.

Artist Bio – Karen Kunc is a Cather Professor of Art at the University of Nebraska-Lincoln. Awards include Fulbright Scholar Awards to Finland and Bangladesh, two NEA/MAAA awards, the 2007 SGCI Printmaker Emeritus Award. Her works have been shown in exhibitions nationally and internationally and are held in numerous collections: MOMA; Library of Congress; Milwaukee Art Museum; Haas Arts Library Yale University; Stanford University; Jyväskylä Art Museum, Finland; Portland Art Museum OR. She has taught workshops around the world, in Egypt, Italy, Finland, Bangladesh, Poland, Japan, France, Mexico, Iceland, Spain; and she has lectured as a visiting artist to over 200 institutions.   Kunc has recently launched Constellation Studios in Lincoln, Nebraska, as a creative destination for artist residencies, collaborations and workshops in print, paper, book.

http://www.karen-kunc.com

www.constellation-studios.net

 

 

 

 

 

 

 

“Gallery Nomads: Asheville is the newest of GreenHill’s exhibitions highlighting NC’s regional art centers. Five of Asheville’s most innovative art spaces have set up camp for the summer in the Gallery at GreenHill each presenting a self-defining exhibition in 500 sq ft of space. Participating groups: Blue Spiral 1, Black Mountain College Museum + Arts Center, Asheville Bookworks, Pink Dog Creative, and REVOLVE.”
Please visit the Greenhill Center online for complete information.
http://www.greenhillnc.org/gallery-nomads-asheville

The Elegant Statement

Locus by Macy Chadwick

The Elegant Statement exhibition is on view at Asheville Bookworks through April 22.

Featuring 27 book artists and letterpress printers working across the United States, curated by Lisa Beth Robinson, this collection of books and broadsides exemplify the relationship between material and meaning; each magnifies the other. Some artists are driven by content, some by structure, but all works demonstrate a deep respect and passion for our craft. Works will be on display until April 22, 2016.

Artists included in the exhibition are: Brian Borchardt (WI), Macy Chadwick (CA), Maureen Forys (CA), Caren Heft (WI), Jennie Hinchcliff (CA), Josh Hockensmith (NC), Sarah Hulsey (MA), Ned Irvine (NC), Ellen Knudsen (FL), Barbara McFadyen (NC), Jeffrey Morin (WI), Carrie Ann Plank (CA), Kristin Rothrock (NC), Julie Sittler (WI), Eileen Wallace (GA), Mark Brueggeman (WI), Mary Bruno (MN), Terrence Chouinard (TN), John Cutrone (FL), Dan Elliott (NC), Landon Godfrey (NC), Gary Hawkins (NC), Diana Hoover (WI), Craig Malmrose (NC), Jennifer Manzella (GA), Paul Moxon (AL), and Lisa Beth Robinson (NC).

There will also be a special visit by the Itinerant Printer, traveling letterpress printer… For more info – https://www.facebook.com/itinerantprinter

Our gallery is always free and open to the public during our regular hours.

Locus by Macy Chadwick

Locus is a personal geography about taking a leap into a new phase of life, and existing in the space between the known past and the unknown future. In this exploratory realm, anything is possible. The narrator considers her past, locates herself in the present and finally embraces the enigmatic future. by Macy Chadwick
Relief and pressure printing on Mohawk and Gampi Shi papers. Hybrid french doors/accordion book in hard cover. Housed in a clam shell box.
12.5 x 10.5 closed
Limited edition of 40.
$1150 each.

Ingress/Egress by Ellen Knudson

Ingress / Egress is an artist’s book that contemplates the design of artists’ books. The intent of the piece is to encourage ideation on the theme “books are”. The six French-fold books use geometry, visual design, text, and imagery to investigate topics such as “Books Are Architecture” and “Books Are Collections”. Books are letterpress printed on Japanese mulberry paper from Boxcar Press photopolymer plates. The translucency of the mulberry paper produces layers of reading in each book, and the potential interaction of layers among the entire suite of books. by Ellen Knudson 6”W x 9”H x 3/4”D. 2015

Lisa Beth Robinson – Curator, The Elegant Statement
Lisa Beth Robinson is the proprietor of Somnambulist Tango Press where she makes artists books, fine art, and collaborative chapbooks and broadsides. Robinson is a mixed-media artist who is transforming materials physically and psychologically in the pursuit of understanding the idea of reading alongside interpersonal, spiritual, and environmental relationships and their global impact. Her media include handmade paper, letterpress printing, collage, and her innovative processes employ principles of physics, botany, and Jungian psychology.
Her books and bookworks visualize the relationship between language and experience, making connections between disassociated objects and concerns. Her primary research interest at this time includes colony collapse disorder, both in and of itself and as a metaphor for global sociopolitical acts. She is extremely interested in the interconnectedness of things.
Robinson serves as an assistant professor at East Carolina University in Greenville, North Carolina, and serves on the national board of the College Book Art Association. Her degrees are from the Johnston Center at the University of Redlands and the University of Wisconsin-Madison. Recently, her work has been purchased by institutions such as Yale University and the San Francisco Museum of Modern Art.

BookOpolis

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DREAM A BOOK

exhibition dates:
March 17 through May 17, 2017


BookOpolis Weekend
Friday, March 17, 2017 from 5:30 – 8:30pm

Artist books will be on view, some artists will be in attendance; light refreshments will be offered

Saturday, March 18, 2017 from 1 – 5pm

Free and open to the public

Dream A Book is a book arts exhibition on the subject of dreams and dreaming.
Dream. Dream a Book…Dream big or small.

Dreams are by nature non-linear, open to interpretation, flipping by turn, creating unexpected detours and realms of possibility inconceivable in waking life. Dreams entertain our senses, provide creative insight, perhaps even model the creative process for us as we sleep.

Dreams inspire us, haunt us, guide us and confuse us. What artist hasn’t sought to express a dream through creative work? Yet how to evoke the ethereal in the material? How to construct containers in which dreams can abide? All forms of dreaming are welcome in this artist book exhibit.

Exhibition

All work will be exhibited for the BookOpolis 2017: Dream A Book opening weekend – March 17-18, 2017. The show is not juried. However, after the close of the premier weekend, select works will remain on exhibit in the Gallery at BookWorks through May 17, 2017.
BookWorks will publish an online gallery for BookOpolis 2017: Dream A Book.

Award

Laurie Corral, director of Asheville BookWorks, will select a Purchase Award from all the entries shown at BookOpolis 2017: Dream A Book. The Purchase Award will become part of Asheville BookWorks Special Collections.

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COMPLETE INFORMATION – Submissions/Instructions/Eligibility

Submissions + Dates

Submissions should be entered online no later than February 24, 2017. Please see below for submission instructions. Artwork should arrive at BookWorks no later than February 24, 2017. Artwork arriving later than February 24, 2017, may not be shown. For the link to a printable file of the complete BookOpolis Prospectus please click here: 2017 BookOpolis Prospectus

Eligibility

BookOpolis 2017: Dream A Book is open to all artists, 18 and older working in book arts. All forms of artist books are eligible including sculptural, 2D, 3D. All books should have content. Submitted works should be completed within the past two years, 2015-2017 and should not have been shown at Asheville BookWorks in the past.

Size Limitations

Space is limited, BookWorks reserves the right to not fully display works greater than 18” in any direction. Please inquire before shipping work if you have specific space requirements. The acceptance of an entry in the exhibition further includes permission to photograph work and/or use images for publicity and educational purposes. Please indicate insurance value for work, including NFS (not-for-sale) work.

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ENTRY REQUIREMENTS
Entry = a single work. The $25.00 fee pays for up to two entries. Instructions below.
A complete submission of one or two entries consists of:
1) complete online data for each entry
2) fee paid
3) completed work delivered to ABW. Please include return shipment labels and info.

INSTRUCTIONS
Online submission procedure

Please click this link to proceed to the entry form for your work. If you are submitting two pieces please be sure to complete information for both and upload images for each piece.
NOTE – Have this information ready before you proceed:
• Personal and Submission data
YOU
– name, address, phone, email
   ENTRY – Title, materials, size, description (50-75wds approx), handling/price/insurance
• image files – you may upload 3 images of each piece (max upload 10MB); jpg pdf tiff formats accepted; images files should be 300 dpi at about 6-7inches on the longest side. Name files like this: title.yourlastname.jpg (This is an example – abbreviations OK)

Payment and Shipping
Once your online entry is complete and you “submit” the following will occur:
1) you will be transferred to a Paypal page to process your payment of $25 (You may submit two pieces for the fee of $25)
2) you will receive a confirmation email with a link to a downloadable fie for Shipping Form. Please download and complete this printed form and include with your packaged work when you ship to us.