The Riso Museum showcases the Risograph (Riso) printing process and celebrates Riso culture and its users. A stencil-based digital press, the risograph was employed in the copy rooms of the late 90’s corporate environment. Churches, law firms, and other small to medium organizations used the Riso as a method to produce large inexpensive runs of one to two color editions. The Risograph slowly disappeared from this landscape due to the influx of laser printers and other modern techniques, but has relocated to design studios, art departments, and DIY-house basements.
On view will be Risograph artifacts, objects from the printing process, as well as works from a variety of Risograph presses from around the world. Emphasis is placed on the Riso as an object and pieces that exhibit its idiosyncrasies. Selected works include Riso print guides, color charts, artistic prints, and publications. The Riso Museum is curated by Mica Mead and Colin Sutherland of Woolly Press, an Asheville-based Risograph design and print shop.